Spyderco Tri-Angle Sharpmaker Knife Sharpener 204MFThe 204MF includes one pair medium-grit (brown) triangle stones for aggressive sharpening and one pair of fine-grit (white) triangle stones for professional-grade finishing. Their patented triangular shape sharpens plain edges on the flat sides and spyderedges (serrations) on the corners. A groove running the stone's length sharpens pointed items such as fishhooks, darts, awls, and punches. Keyed slots/holes in the abs plastic base precisely preset the stone's sharpening angle to a 30° (15° each side) or 40° (20° each side) for thick and thin profiled knife blades. On the end of the base is a 12.5° scissor setting. When turned over, the base's underside accommodates two side-by-side stones (flat side up) for benchstone sharpening. Plastic lid snaps halfway over the base creates a stable hand-hold and a pair of brass safety rods protect the user's hands during sharpening. All of the components fit into the base and the lid snaps on as a cover for portability, or the base can be bolted to a table or counter-top for permanent use. Instructional 204MF DVD and booklet is included.
Solo Wood Stirrers - Birch , 7" - 1000 Count7 inch birch wood stir stick
"Super Sexy Spy" Wedding Bride and Groom FigurineHumor is well in tow with this funny "ready for action" super sexy spy wedding cake topper. It will be sure to cause quite a stir at your wedding reception or bridal shower. This piece would also be a great addition for a bachelorette party and looks great on the groom's cake!! Handpainted and made of resin.
ParachutesNo Description Available.
Genre: Popular Music
Media Format: Compact Disk
Rating: Release Date: 7-NOV-2000
Morrison HotelThe next-to-last Doors album, recorded prior to Jim Morrison's still mystery-shrouded death in a Parisian bathtub, eschewed much of the band's previous penchant for baroque musical, poetic, and philosophical pretensions (this was, after all, the back-to-roots era of the Beatles' Let It Be, the Stones' Let It Bleed, and Dylan's Nashville Skyline). Instead, the Doors circa 1970 wisely seeped themselves in a bluesy, no-frills approach that might have hinted at creative exhaustion in a lesser band. Instead, the Doors of "Roadhouse Blues" and "Peace Frog" reinvented themselves into arguably one of the greatest bar bands ever, with Morrison's well-documented demons frolicking in a welcome new ambience. "Waiting for the Sun" and "Ship of Fools" may hearken back to the band's cabalistic and Kurt Weill leanings, respectively, but framed in an edgier, more effective way. --Jerry McCulley
Tinker Tailor Soldier Spy1. George Smiley
2. Treasure
3. Witchcraft
4. IslayHotel
5. Control
6. Polyakov
7. Alleline And Bland On The Roof
8. Safe House
9. Tarr And Irina
10. Anything Else?
11. Jim Prideaux
12. Thursgood
13. Karla
14. Esterhase
15. Guillam
16. Control And Westerby
17. Circus
18. One’s Gone
19. Tinker Tailor Soldier Spy
![The Lives of Others [Blu-ray]](http://ecx.images-amazon.com/images/I/51LwqKlA1UL._SL75_.jpg)
The Lives of Others [Blu-ray]
Lost - Signs
Bringing Home The Beacon
Tinker, Tailor, Soldier, SpyTinker, Tailor, Soldier, Spy is all sleek, stealthy elegance. High-ranking intelligence officer George Smiley (Gary Oldman) was forced out of service when a mission in Hungary went very wrong, but rumors of a Soviet mole hidden within the agency bring him back into play. If the theory of the former head, Control (John Hurt), is to be believed, the mole is at the very top, one of four senior officers, played by Toby Jones, Ciarán Hinds, Colin Firth, and David Dencik (of the Swedish Girl with the Dragon Tattoo). With the help of a lower-ranking agent with a few secrets of his own (Benedict Cumberbatch, Sherlock) and a field agent who may be a source of disinformation (Tom Hardy, Inception), Smiley slowly draws out the clues he needs to lay a trap for the mole. Tinker, Tailor, Soldier, Spy moves gracefully, with brief but unhurried scenes that give a hint of information here, a dollop of implication there, until the larger picture (painted in a cinematic chiaroscuro of grays, blues, and browns) comes tantalizingly into focus. Don't expect Hitchcock-like suspense, though there are a few anxious sequences; this movie captures the blend of dread and bureaucracy that marks real-life intelligence work. Oldman plays Smiley as uncannily opaque and, on the surface, harmless--but his eyes hold a deep bitterness that can turn sorrowful or cruel. The masterful cast glides through the film, their subterfuges and machinations orchestrated like a dance by director Tomas Alfredson (Let the Right One In). --Bret Fetzer
